Begin typing your search above and press return to search. Press Esc to cancel.

Writing

Category

The Story and Sylvia

Fiction
by Rammel Chan

Naturally, when she returned to the United States, Sylvia’s go-to topic of conversation was her two month study-abroad to Cape Town, South Africa. Once inquisitive friends and family would even touch upon the subject, the flood-gates would open and all other topics of conversation would cease to exist. They listened politely, sipping at the ice in empty water glasses in restaurants or living rooms or coffee shops in Oak Park, with nods and forced smiles, to what young Sylvia had done on her study-abroad trip….


Read more

My Life of Sin

Nonfiction
by Eduardo Cruz Eusebio

…Don’t ask me what the communal outhouses were like. Okay, I have to tell you. Picture a six-foot deep slit trench with a long wooden building pulled over it. In that building hang a dim 20-watt bulb above a long bench with a missing rear board. Where the board is missing, you hang your ass over the fetid darkness, and let it fly into the abyss. Shitting in the darkness, shoulder to shoulder with other soldiers of the Lord, the bench shaking with the exertion of a dozen men and boys, is a dear memory that will never leave me, despite years of hypnosis and therapy….

Illusions of Next Time

An Essay
by PJ Temple

“Dad, I think it’s a good time for me to start looking for an apartment. I’m almost twenty. I need to be more independent.”

“Oh no. Vy move? You vill stay here until you get married. We don’t believe in moving, boving.”

He’s over-rhyming. The topic must have struck a chord for him. He might as well have said moving out is hocus pocus, a mythical idea reserved for spooky nights around campfires. He made the idea sound outlandish and revolutionary. I suppose it was, in his mind….

Part I. Coral / Part II. The Corral

A Poem by Ryan Nakano

Part I. Coral

Ahh, the coral
beauty sees the boy &
the boy breathes
thru jagged little gills diver boy dives deep into his back pocket
to pull out a piece of porcelain Made in
his memory begins before he was born
back when grandmother was a mermaid and
the reef he remembers belonged to the gill-less
sea
force of a wave
the tide of war once littered the beach & the boy
surfaces
combs the shore for shells
combs the shore for something to remember the kingdom….

Holy Thursday

A new story
by M. Evelina Galang
From the collection in progress, “Strength is the Woman”

At night, curled next to her brothers on a cot just outside the kitchen, Soledad dreamed of aswang creeping out from under the beds of the house, feeding on the blood of Mrs. Mayor. The wife had eyes that glowed Jello-green, she schemed with all the witches, found ways to make Lola E’s life miserable. Soledad hated her. Soledad wished her dead. She opened all the windows wider, she invited the moon to come in and drink all the evil out of the house. She asked the angels to hover over Lola E. “She is old,” Soledad said in her dream. “She can’t fight for herself, and Mrs. Mayor is an aswang.”


Read more

Bonneville

A screenplay excerpt
by John Sun Lew

EXT. TOPAZ INTERNMENT CAMP, CENTRAL UTAH – DAY

TITLE CARD: Topaz Internment Camp, Central Utah, September, 1942

A convoy of busses approaches a dusty compound, ten football fields broad, containing a grid of 42 identical blocks of 12 tar-paper barracks. As their bus passes under the main arch, Danny looks through razor wire and guard towers in the fore to the snow-capped Mount Topaz.

EXT. TOPAZ – COMPOUND – DAY

Seeking Refuge

An essay by Mary Grace Bertulfo

“’One is one’s own refuge, who else could be the refuge?’ said the Buddha.” – Walpola Rahula

Monday night. 6:10 p.m. Alone.

I drove down Lake Street in our worn, twelve-year old mini-van. Hot fury heaved in my chest and shoulders and transformed into a high-pitched scream that poured out of my throat for two whole blocks. I screamed until I had no more energy. I screamed until my voice was hoarse. Had I been a superhero, Wonder Woman say, the scream would have been a siren shattering every van window.

I remember my Chinese name

An essay by Mengnan/Mary Wu in response to Co Shi An’s essay “Remember heritage, imagine identity, stop believing”

I remember my Chinese name. I remember when it was my only name.

My grandfather wanted a son. My grandmother gave birth to three daughters. Each daughter gave birth in the same year in Beijing. My mother, the middle daughter, was supposed to give birth to me in the middle of her two sisters. But I was 2 weeks overdue, and I broke the order of things. My two cousins were both born female before me, and I was the last hope for my grandfather.

Author Copyright Agreement

License to Publish in riksha.com

In order to publish your article we need your agreement. Please take a moment to read the terms of this license.

By submitting your original work to our online web magazine riksha.com, you and all co-authors or co-creators of your submission agree to the terms of this license. We do not require exclusive rights. You may simultaneously submit your work to other publications.

The publisher reserves the right to reject the work for any reason. Submission of your work, and acknowledgement of this agreement does not constitute acceptance of your work for publication.  You will be notified of acceptance or rejection within a standard time frame.

By submitting your work to our publication, upon its acceptance for publication by riksha.com editors, you grant us non-exclusive, simultaneous rights to reproduce your work, within the context of riksha.com in electronic website format, and within its associated digital web archives.

By submitting your work for publication to riksha.com you promise that the piece is your original work. You also promise that the article does not, to the best of your knowledge, contain anything that is libelous, illegal or infringes anyone’s copyright or other rights. If the piece contains material that is someone else’s copyright, you promise that you have obtained the unrestricted permission of the copyright owner to use the material and that the material is clearly identified and acknowledged in the text.

We promise that we will respect your rights as the author(s). That is, we will make sure that your name(s) is/are always clearly associated with the work and, while you do allow us to make necessary editorial changes, for purposes of clear presentation, we will not make any alterations to your work without consulting you.

All rights in the work now existing or which may hereafter come into existence, except those hereby specifically granted to the Publisher are reserved to and by the Author for Author’s use.

The publisher shall have the right to use the author’s name, image, likeness and biographical material for advertising and promotion of the work within the context of riksha.com. This may include mention in social media postings, as well as web advertising banners, email distributions, and hardcopy promotional materials, as well as other communications deemed appropriate by riksha.com.

At any time, you may request that your work be removed from the web publication, and this agreement ended. Your work will be promptly removed upon notification to riksha.com, and upon subsequent confirmation of identity.

At any time, riksha.com may choose to remove your work from publication on the website or associated online digital web archives. This may be done without notification.

Unless previously terminated as provided herein, this agreement shall continue in force, with respect to copyright obtained under the laws of any country covered by this agreement, for the term of the original copyright, renewal, or extension thereof which relates to the Work and which may accrue to the owner of the copyright under the present or any future law of said country.

This Agreement shall be interpreted according to the laws and statutes of the United States of America and of the State of Illinois.